CD Milan Lasica & Julius Satinský Soiree Price: EUR Scale: 0. Category: CDs – Slovak and Czech Evergreens, Theater, etc. Published by: OPUS Edition 0. Audiobook Soirée Authors: Milan Lasica, Július Satinský; Narrators: Milan Lasica, Július Satinský; Content: Just use the discount code LASICA in the basket. Number: Artist: Anonym Poster title: Lasica & Janovic & Satinsky – Soirée Year: ca Technique: FO Condition: B+ Size: 87 x 61 cm (34,39 x 24,
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Unlike in the Czech Republic, in Slovakia the dissidents did not manage to organize themselves into a uniied group of resistance until November You enter a house, and there is no ladder!
It was the common man, ater all, who had created the dehumanising totalitarian regime and held it in place. Start making fun of the Americans?
And it has been in trouble ever since. Skip to main soire. Disbelief in all symptoms of oicial life was taken for granted and nose-thumbing the system was a national pastime.
CD Milan Lasica & Julius Satinsky Soiree
You are speaking my mind. Hall, Resistance through Rituals: You will be in good company: Wait…yesterday…aha, now I remember! Despite heavy surveillance, they managed to get away with their humour for a considerable part of their careers, as it alsica based not on poking fun at the powerful, but at the common man.
WHAT were you canning? It strengthens your human dignity. Women are not for sale in our country! And laughter is the spray Freon-free! To conquer the universe in an elevator!
It could be said that bans and banishments were an important part of our career. Flush ourselves down the toilet?
Parodying the linguistic and discursive conventions of the communist system was the best way to point to its hypocritical view of the world, based on pretending and lies, which created a double reality and simulacra. You must have had a very hard life.
Soiree – Lasica |
I am asking WHAT you are canning. I will give you gross-net, all together. And even if they are… they are not. We realised not to trust big words, because behind them might be big crimes, that we must express ourselves matter-of-factly, and that when we do theatre, we should not do it pathetically and pompously, but we must turn inside the individual, I mean the actor, who represents the individual9.
She walks down the street, looks into a sliree window and sees a handbag. True ambivalent and universal laughter does not deny seriousness, but puriies and completes it.
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It restores this ambivalent wholeness Seemingly absent-minded, hard-of-hearing or even senile, their true intentions come through the tone of voice and facial expressions: We would lie on our section of the tracks and sunbathe.
Instead, their comic dialogues and songs parodied the way the communist discourse worked. However, their target was not high-ranking communists, but the common people, who internalized the discourses, values, and practices of the system and held it in place. Nobody has a feeling of owning it. And where did I move you to? Are you happy where you are?