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In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period. One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance ividio proved to be primarily vocal.
It is Herodotus who tells us that when Xerxes was marching through Asia to invade Greece, he passed through the town of Kallatebos and saw by the roadside a magnificent plane-tree which, struck by its great beauty, he adorned with golden ornaments, and ordered that a man should remain beside the tree as its eternal guardian. Handel’s first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story.
Friends tell me that would have made little difference, yet I cannot know for certain. Hodie Christus natus est. This was a truly outstanding performance, thoroughly worthy of its standing ovation. In this BBC Radio 3 lunchtime concert at the Wigmore Hall, soprano Roberta Invernizzi presented Italian songs from the first half of seventeenth-century, exploring love and loyalty, loss and lies, and demonstrating consummate declamatory mastery.
Charismatic charm, vivacious insouciance, fervent passion, dejected self-pity, blazing anger and stoic selflessness: It was a good start to the season,which commemorates the start of the First World War.
Even the solo arias, glorious as they are, grow organically out of perfect ensemble. A staged piano recital and an opera as a concert. These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read.
Buscando a las Musas Perdidas: “Ars Amandi” El arte de amar – Argumento y Crítica
Sullivan was accordingly at liberty to compose more serious and emotional operas, as he had long desired, and turned first to the moribund tradition of “Grand Opera” with Ivanhoe Einstein on the Beach, Satyagraha, and Akhnaten.
A Romeo Castellucci production is always news, it is even bigger news just now in Salzburg where Lithuanian soprano Asmik Grigorian has made her debut as the fifteen year-old Salome. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.
If opera is to remain a viable, accessible aete century art form, it will be largely owing to the amwr of visionary companies like Opera Theatre of Saint Louis. Khedive Ismail Pasha wanted a hymn by Verdi for the opening of a new opera house in Cairo, but the composer said he did not write occasional pieces.
Hearing this opera in English instead of Italian has its publjo, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we’re closer to the original pot-boiler melodrama.
The initial appeal of this festive programme by the chamber choir, Sonorowas the array of unfamiliar names nestled alongside titles of familiar favourites from the carol repertoire.
The songs of Tchaikovsky and Rachmaninov lie at the heart of the Romantic Russian art song repertoire, but in this duo recital at Wigmore Hall it was the songs of Nikolay Medtner – three of which were framed by sequences by the great Russian masters – which proved most compelling and intriguing.
As well, in Lyon nothing, absolutely nothing was left to the imagination. Abdellah Lasri emerged as a stunning discovery. These performances set new benchmarks. Its offerings usually alternate annually between 20th century and earlier dd.
Can these people be saved?
Who, rather what stole the show? Since there’s a huge buzz about Appl, this was an opportunity to hear more of what he can do. Haitink did not disappoint in this spectacular affair. Rigoletto — a hit and a miss. Sincerity is not everything, of course; what ovidko think of as such may even be carefully constructed artifice, although not, I think, here.
One should not judge a performance by its audience, but spying Mitsuko Uchida in the audience is unlikely ever to prove a negative sign. The last of the operas which Rossini composed for Italian theatres betweenSemiramide has had only one outing at the Royal Opera House amsrand that was a concert version in And man, I was in for treat. The Tucson Desert Song Festival consists of three weekends of vocal music in orchestral, chamber, choral, and solo formats along with related lectures and master classes.
Drop everything and go. The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.
From the singing I heard, they definitely have something of which to be proud.
Obra amatoria II. El arte de amar : Publio Ovidio Nasón :
Salzburg regulars will recognize this as a reference to the rock foundations on which part of the city is built, and the traditions of excellence the Festival represents. This Harold en Italieop.
Maometto Secondo is a masterpiece, yet rarely performed because it’s formidably difficult to sing. Many of the ingredients for a memorable concert were there, or so they initially seemed to be. Yet he considered himself, above all, a composer of opera.
A Protector wants brightly coloured images to display his power and wealth. Bilbao is always news, Calixto Bieito is always news, Carmen with a good cast is always news. The dramatic strength that E Director Michael Scarola drew from his Pagliacci cast was absolutely amazing.
Fairy-tales work on multiple levels, they tell delightful yet moral stories, but they also enable us to examine deeper issues. Elektra — a masterpiece. La gazza ladraLa gazzetta and L’inganno felice — the little opera that made Rossini famous.