Cleanth Brooks, an eminent New Critic, advocates the centrality of paradox as a way of understanding and interpreting poetry, in his. This presentation is based on Cleanth Brooks’s essay “The Language of Paradox ,”, wherein Cleanth Brooks emphasizes how the language of. In the article “The Language of Paradox,” author Cleanth Brooks argues that poetry is made up of a language of paradox, meaning that poetry is made up of a .
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There is a different approach to the issue at hand; chiefly that the poet has to work by analogies.
Cleanth Brooks’ Concept of Language of Paradox
He contends that these several meanings are impossible to convey at the right depth and emotion in any language but that of paradox. The image gathers up two early comparisons — that of the tapers and of the eagle and the dove. In fact, it dominates the second stanza in which the torments of love which are so very vivid to the lover have no effect on the real world at all: He neatly and contemptuously epitomizes the two main categories of secular success in the line: Thus it was out of the question that they could disregard context in studying literature, much less be judges of ideal canons.
Johns Hopkins University Press, This revivifies the metaphor and makes clear the sense in which the poet accepts it. This is merely a matter of prejudice. The unworldly lovers are thus the worldliest of all.
Cleanth Brooks’ Concept of Language of Paradox | Literary Theory and Criticism
Brooks simply believed that, “‘Imagination’ reveals itself in the balance or reconciliation of opposite or lanyuage qualities. Its death is life. This makes it a permissible feature of an epigram or a satire, sub- varieties of poetry, but not of poetry itself.
An Anthology2nd Ed. The poet has to make up his language as he goes. It is paradix intellectual than emotional and rational than irrational.
Reveals itself in the balance or reconcilement of opposite or discordant qualities: The fine metaphors of the fourth stanza achieve an effect of deliberate resolution and tenderness. The likening of the lovers to the phoenix is fully serious. The phoenix rises from its ashes but not for mere sifting and measuring of the ashes.
Paradox, however, is essential to the structure and being pwradox the poem. It is this reason that gives the speaker the opportunity to remark upon the beauty of Thw as he would a natural phenomenon, and, as Brooks points out, can call the lajguage “sleeping” rather than “dead” because they too are vivified with the natural spark of life, granted to them by the men that built them.
Brooks ends his essay with a reading of John Donne ‘s poem The Canonizationwhich uses a paradox as its underlying metaphor.
His textbook anthologies, Understanding Poetry pardaox Understanding Fiction were the principal media by which the orthodoxies of the New Criticism were transmitted to a whole generation of American students of literature. Log In Sign Up. The tone of irritation that is seen at the opening of the poem becomes something very different.
Although paradox and irony as New Critical tools for reading poetry are often conflated, they are independent cleanh devices. However the values celebrated by the New Critics were neither universal nor unchanging, but reflective of their own very specific concerns and ambitions.
Paradox (literature) – Wikipedia
The lovers remain the same and the love is not merely lust. It really describes the lovers best and justifies their renunciation of the world. Paradox is his only solution. Studying a passage of prose or poetry in New Critical style required careful, exacting scrutiny of the passage itself.