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Arranger Alfred Moffat The ornamentation as indicated in Bach’s keyboard version of the concerto works well on harpsichord, but is less suitable for performance on an early 18th-century oboe.
Work benedefto to Benedetto Marcello by arranger; later found to be by Alessandro Marcello. Marcello was a younger contemporary of Antonio Vivaldi in Venice and his instrumental music enjoys a Vivaldian flavor. Javascript is required for this feature.
Originally submitted on by Schissel. Benedetto managed to combine a life in law and public service with one in music.
The composer Joachim Raff wrote an opera entitled Benedetto Marcellobased loosely on the life of Marcello and Scalfi. This manuscript writes the composer’s name as “Marcello” without specifying a first name: Rosanna was unable to inherit his estate, and filed suit in against Benedetto’s brother Alessandro Marcello, seeking financial support.
Contents 1 Performances 1. However, as a nobleman his marriage to a commoner was unlawful and after Marcello’s death the marriage was declared null by the state. He spared nobody and attacked composers, singers, directors alike, down to the last stage hand.
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Oboe Concerto (Marcello) – Wikipedia
Their singing was derisively called “capon’s laughter”. That is, at least those arrangements that could be performed on a harpsichord without pedalboardwhile the Weimar court organ which would be needed for arrangements including pedals such as BWV — would have been unavailable for undergoing repairs in this period.
Marcello presented his vitriolic suggestions in an ostensibly serious tone and revealed by implication more about the musical and social aspects of opera than other authors did by factual reports. Hence, the edition is public domain in its country of origin or a government publication. Born in VeniceBenedetto Marcello was a member of a noble family and his compositions are frequently referred to as Patrizio Veneto.
Marcello vented his opinions on the state of musical drama at the time in the satirical pamphlet Il teatro alla modapublished anonymously in Venice in Views Read Edit View history.
Views Read Edit View history. Benedetto Marcello’s music is “characterized by imagination and a fine technique and includes both counterpoint and progressive, galant features” Grove Retrieved 4 October The vivid picture he draws would in many ways apply also to the modern operatic “tradition” which according to Gustav Mahler is identical with “Schlamperei” sloppiness.
Bach’s keyboard version was published as an mardello of a concerto by Antonio Vivaldi in the 19th century.
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As well oboe concerto versions and versions based on Bach’s arrangement kept repertoire in the 20th and 21st century.
Msrcello library of the Brussels Conservatoire possesses some interesting volumes of chamber cantatas composed by Marcello for his mistress. This page was last edited on 24 Benddettoat The concerto has also been recorded played on a piccolo trumpet – a notoriously challenging transcription due to the breath control and tight embouchure required for its sustained passages in the higher register. This article needs additional citations for verification.
Oboe Concerto (Marcello)
Please help improve this article by adding citations to reliable sources. Although he was a music student of Antonio Lotti and Francesco Gasparinihis father wanted Benedetto to devote himself to law.
With the poet Antonio Schinella Conti he wrote a series of experimental long cantatas — a duet, Il Timoteothen five monologues, Cantone, Lucrezia, Andromaca, Arianna abandonnata, and finally Cassandra.
Benedetto Giacomo Marcello Italian: That copy, specifying harpsichord as the intended instrument for the arrangement, originated after Johann Bernhard’s, but may have been copied from an earlier stage of Bach’s arrangement. Creative Commons Attribution-NonCommercial 4.